This portrait of Naren Dasgupta, of which the final third is written in Bengali, includes selections from his daughter Preeti's memoirs, some unpublished correspondence with Sri Aurobindo and with Barindra Kumar Ghose, Naren Dasgupta's 1940 review of The Life Divine originally printed in the Hindustan Standard, a few of his conversations with Sri Aurobindo, and some diary excerpts.
